Universal Declaration for Human Rights Quilts

Through the magic that is the internet artists from all over the world can connect and make art collaboratively. Instagram lead me to learn about a new craftivist project created and coordinated by Tal Fitzpatrick (@talfitzpatrick) and Stephanie Dunlap (@illuminatembroidery).  Originally the artist call was for 30 artists and it expanded due to demand to include enough artists to make 4 quilts of 30 8 and a half by 11 inch panels each.
Each panel is an interpretation of the Universal Declaration for Human Rights (UDHR). This document was drafted by representatives from different legal and cultural backgrounds from all regions of the world at the United Nations Assembly in Paris in 1948. This was the first document of it's kind setting out fundamental human rights for all.  It has been translated into over 500 languages. You can read the document here.
Part of the initiative of this project is to promote the understanding of these rights and also to raise awareness about the UDHR as well as raise funds for the United Nations Refugee Agency (UNHCR). This Agency was created after WWII to help displaced Europeans find homes.  Despite only having a four year mandate they are still active today and are more needed than ever. 21.3 million refugees, over half under the age of 18, are given aid through the UNHCR. Refugees are often the first people whose human rights are compromised. Any profits from this project will be donated to the United Nations Refugee Agency, and their is much potential for the reach of this project to go farther than each individual artist could take it. It is an honour to be a part of it.
As the project moves forward I will post about it here and through my social media channels.
Next week I will give details about the UDHR article that I am interpreting and share in-progress photos.

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For more information about this project please visit the official project page at: http://talfitzpatrick.com/udhr-craftivism-project

JJ

On Authenticity in the Social Media Age

I know for certain that I am not alone in this struggle.  Maybe I should refer to social media as more of a dance than a struggle but there are many people around me for which struggle is the appropriate word.
Leaving Facebook, coming back, learning a new platform but being limited by its capabilities, not wanting to over-post but noticing others are missing information that you are sharing.  The problems are real, and they leave many in a state of limbo with little to show for what can sometimes mean hours of work.
Last weekend 31 artists gathered in West Kelowna for the first ever Studio Art Quilts Associates Western Canada Retreat.  I was fortunate to be part of this group and we had lectures, workshops and social time to share ideas and simply be in the company of other like-minded lovers of art and cloth. The theme was Out of the Studio: Into the Wider World, one of the presentations was Social Media Your Presence = Your Choice by artist and teacher Susan Purney Mark.  She outlined strategies for success in using different platforms and presented recipes for discerning your own level of involvement in the social media jungle.
I appreciated hearing the points of view of others in the group as well, some who gave their own tips, shared their concerns, or questioned the validity of certain choices one could make.
I was left with a lot to ponder, and with a determination to solidify my own platform without apologies.
With my own goals in mind authenticity is a huge word for me.  If I sense a lack of authenticity in anyone I follow on social media I either un-follow them or tend to ignore their posts altogether. My reluctance to post just because I have to comes from this sense of being true to myself and also wanting to avoid over-sharing.  I have no desire to bombard anyone with me, me, me.
The reality however, as it has been explained to me, and as I am noticing more and more, is that unless you post once an hour for 24 hours straight the algorithms in Facebook or Instagram make that impossible. People are more likely to miss your post than see it.
And so if my goal is to gain recognition in my chosen career my social media strategy is paramount.  It must be a bond between authenticity and exposure.  As Susan stressed in her presentation, systems help you manage where your content goes and when.  I am going to work on getting my system running smoothly so that I can spend less time agonising over small choices and feel confident that what I am putting forward is true to who I am in this digital age.

The photos in the post were taken on Lake Okanagon at The Green Bay Bible Camp where the retreat was held.

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Festival Ha'Rikud: Celebrating Friendship - 2017

I have a piece in this upcoming exhibition at the Sidney and Gertrude Zack Gallery opening May 4th, 2017.  I will not be able to attend the opening but would be happy to meet anyone there to check out the show before May 22 if you can make it.  For those who can not make it here is my piece and artist statement.

Look In, Reach Out, 20 x 20 Inches, Mixed Media Quilt

Friendship is a cornerstone. As human beings, we are constantly learning to connect, to talk to each other, to listen, to empathise and relate.  When engaging in friendship we also have a chance to have ourselves reflected in the mirror of our friend’s being.

The labyrinth is a tool for self reflection and a good friendship also fills this roll.  Through our engagement with the other we learn truths about ourselves.  If we are open, we can learn and form a deep bond that grows like a tree and blossoms into a lasting connection of spirit.  These bonds can help us weather the storms of life and support us on the journey of moving around the sun as a collective.

This piece is available for sale.  Please click here for inquiries.  If you would like to receive my newsletter please sign up here.

JJ

Deconstructing a Quilt

One of the things that I love about my medium is its ability to be reborn.  Cloth can change forms; a sheet can become a shirt, a curtain can become a pillow or in this case a quilt can transform into another quilt.

The story of this quilt is the longest quilt story I have.  It was the first one I made.  It held all the magic that a gateway quilt could offer up.  My gateway into loving quilts was the wonderful richness of crazy quilts.  Elaborate, heavily embellished and in most cases not very practical, crazy quilts entice many textile enthusiasts. My aunt had two crazy quilted pillows which I loved.  I proceeded to make a crazy pillow for myself and others.  And then I decided to make my bed cover for when I moved away to attend Post-secondary education.  I spent many an hour the summer before my first semester sewing away in the kitchen of my family home.

Did I know what  I was doing?  No.  Did I have experts around me that could have helped? Yes.  Did I ask advice? No.  I sewed that baby together and used fabric that my mom had in her fabric trunk. The only new piece of fabric was the large blue sheet covered in white starts we found for the backing.

Did I love this quilt?  Yes.  Was it technically a quilt?  Just barely.  It had three layers,  but minimal actual quilting.  I'm rather glad about that slip up because deconstructing it was much easier with less stitching.

So here is the pre-deconstructed quilt and as you can see, the design was very willy-nilly.  Making this was part of my transition from living with my family to moving outwards into the world on my own.  Essentially I wrapped myself in the comforts of home each night.  Looking back on that time it seems that this object was a talisman that gave me strength and reminded me of where I came from. Little did I know as I headed to art school that it in fact represented where I would end up artistically years later.  The spiral of life is a powerful force.

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JJ 

 

Cherry Blossoms - A Textile Translation 2017

While spring may seem a bit late in arriving this year on the west coast, you'll have a chance to see some cherry blossoms in textile form from March 21 - April 9 at the Silk Purse Gallery in West Vancouver.  My piece "Spring in the World Tree" will be hanging in what promises to be a colourful show that runs in conjunction with the Vancouver Cherry Blossom Festival.

I wrote about the series of four that this piece is part of here.
I will be at the opening Tuesday March 21st, from 6-8pm.  Hope you can make it.

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JJ

Around Town - February 2017

I had the pleasure of attending two art events last Saturday.  The first was Shedding Layers, Feb 18- March 11 2017, a three person show at the Deer Lake Gallery in Burnaby.  My friend Nicole Smith's pottery crows were featured along with paintings by Jenn Ashton and David Righton.  This show was a bright and cheery way to spend a winter afternoon.  Both painters use strong colours and nature inspired imagery.  Ashton's work is fluid and whimsical, while Righton's paintings use an impasto technique that delineates his figures dramatically.
Smith's crows use various clay techniques including the raku glaze featured on the birds in the photo below.

After the Shedding Layers opening, my friend Dorothy and I attended Lori Goldberg's artist talk at the South Main Gallery in Vancouver.

Goldberg's show title was derived from Pierre Burton's idea that a Canadian is someone who knows how to make love in a canoe without tipping it over.  Using various painting techniques her imagery ranged from portages in the forest, to lone paddlers on lakes, and solitary canoes as objects in their own right.

My favourite pieces were O Canada, Spring Melt, and Homage.  South Main Gallery is a bright space that feels intimate yet was spacious enough for the paintings to breathe.  Goldberg talked about the paint techniques that she used to create the work, along with why canoes and their history compelled her to explore further.  The show is up until this Sunday February 25.
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JJ

Atelier

This word has stuck with me the last two weeks.  I love it.  This french word for studio or workroom, atelier, it is superior- if a word can be that.  It is a romantic word.  A word of action and substance.

As we walked the ancient narrow streets of Montpellier France this summer we came across this lovely scene. Others may have noticed the dresses first, or the freshly watered plant, or the lovely hand painted sign saying "Le Fil et son Aiguille" (the thread and its needle).

But I looked inside and saw a solitary artist making her work.

"A woman must have money and a room of her own if she is to write fiction..." -Virginia Woolf

Not only to write fiction, but to paint, to sew, to make, to think, to be.

An atelier of one's own.  A space that is quiet, and yours.

Just a simple thought for today in a time that is not simple.

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JJ